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TIME: Almanac 1990
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1990 Time Magazine Compact Almanac, The (1991)(Time).iso
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83
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83capbst.4
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1990-10-09
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January 2, 1984
THE BEST OF 1983
Bright Beach Memoirs. Neil Simon mixes slapstick and sentiment in his
autobiographical play about an American family, that secret society
where the passwords are forgive and remember.
La Cage aux Folles. The one megahit musical in a torpid Broadway
season, Harvey Fierstein's gay valentine boasts a spectacular turn by
George Hearn, as a Saint-Tropez drag queen, and surefire Jerry Herman
songs that might have been composed on a calliope.
Fen and Top Girls. In the first, five women till the harsh swampland
of Norfolk; in the second, a Thatcheresque career woman chats with her
peers from throughout history. In both, British Feminist Caryl
Churchill displays acerbic ironies and dazzling technique.
Galas. Or: The Life and Hard Times of Maria Callas. Leave it to
off-off-Broadway's Charles Ludlam--playwright, producer, director and,
in the title role, every inch a diva--to put the art back into
commedia dell'arte.
Isn't It Romantic. Wendy Wasserstein looks at two sisters under the
skin--one a Wasp princess, the other a Jewish frogett--in an
irresistible off-broadway comedy about coming terms with endearment.
My One and Only. A trunkful of Gershwin songs, colorful sets from a
wise child's kindergarten and a pair of toe-tapping charmers in
Twiggy and Tommy Tune make for Broadway's airiest enchantment.
'night, Mother. A young woman announces her intention to commit
suicide; her mom uses every dithery wile to prevent her. Marsha
Norman's Pulitzer prizewinner is equally entertaining and harrowing;
in the only roles, Kathy Bates and Anne Pitoniak shine with love and
anger.
Painting Churches. The twilight of life, the dawn of senility;
Chekhov comes to Beacon Hill in Tina Howe's sweet, zestful off-
Broadway comedy.
Passion. The Jekyll of respectability duels with the Hyde of libido.
Peter Nichols' unsettling domestic comedy survived a ragged Broadway
production with many of its virtues (and Actress Roxanne Hart's
Circean charms) intact.
Quartermaine's Terms. Quartermaine, an aging instructor at an English
school for foreigners, is one of nature's near misses: a decent
mediocrity, for whom other people's crises are mere whispers in the
anteroom of his mind. In Remak Ramsay's off-Broadway performance,
Simon Gray's British import found the perfect pitch of melancholy.